I’m on the Bigscreen!…or…How You Are A Part Of All This

Ok, well, not the “Big Screen” exactly…

I haven’t shown my face around here all that much….until now.

Well, now is your chance. And not only that, but it’s a video so you can see me in “person” too!

I’ll admit, it takes some getting used to seeing yourself on the big screen. 😉

But it’s worth it because I believe in this so much I can’t not talk about it.

It’s A Conversation

Art isn’t just something you look at.

It’s multi-sensory; participatory.

It’s a conversation.

The first conversation happened between me and words, then between those words and the artists; now it’s between you and the art. Even if you can’t be at the opening, you can still be a part of this conversation and make it an ongoing one. One it is meant to be!

Conversations|Reconstructed @ indiegogo: http://bit.ly/1jSr4uk

I’m not going to do this often. But today I am asking if you will join in with us on this project! By donating. By sharing this and asking others to join in the conversation by donating. And if you are close by; come to the exhibition! And definitely say hello!

If you watched the video from here please do click the LINK HERE or above and go have a look at the indiegogo site.

There are loads of really fun rewards you get for donating and being a part of this conversation! Things like: The art book from the show (which itself can be reconstructed!), postcard prints, print sets, even original art or your own custom reconstructed poem! Do have a look!

Thanks guys!

How Words Became Art I Hold In My Hand

There’s a video at the end of this post…and it’s good too! But don’t skip the words between here and there. They only make the video better!

Conversations|Reconstructed

The Concept

I’ve always been fascinated with the question: “What if?”  What if we did that another way? What if something we value suddenly became something of no value or vice versa? What if the same words could tell a totally different story?

Several months ago, late at night, a ‘what if’ conversation led to an idea…What if I could take apart stories and rebuild them to tell completely different ones? This led to an experiment…which repeated itself several times over…leading to countless conversations…which turned into bigger and Bigger things…until it became…Conversations|Reconstructed.

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For me, I have to pursue writing and art in the same way I pursue breathing.

It must happen to stay alive.

This project is that “next breath” for me, in pursuit of creating, pushing boundaries and collaboration. Myself and everyone involved have been awed by where it has gone, and we are eager to see where it will continue to lead us as artists and creators.

The Notebook Where The Words Go

The Questions & The Details

What if I could take apart some of the greatest poems and use those words to reconstruct completely new stories? Could it be done? Could I do it? Would the words be able to tell different stories? Would I lose my voice if I could not choose my words, not a single one? Do words have enough meaning to tell different stories while they stay the same?

These are all the questions I asked myself as I began this journey. It was frustrating not to be able to choose my words but, as I started doing it, I saw the words, the same words, telling new and different stories.

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Once I completed a couple of reconstructions it became very apparent I needed visual artists to help bring my stories to life. I started searching out artists whose aesthetics, I believed, would interpret well with this project.  As each artist joined the project, (six in all: Illustrator, Sculptor, Graphic Designer, Painter, Lino Cutter/Digital Printer, and Street Artist) a beautiful collaboration began between these artists, my reconstructions and the iconic poets. Not only were we able to bring the poem sets to life visually (“poem set” being the term we use to describe an original poem, de-constructed word list and reconstructed poem), but each artist involved used the words to inspire their own story. 

You will recognize some of the greatest poets of all time in the works: Yeats, Kipling, Henley, Dickenson, Hughes, Frye, Brontë, Poe, Donne, & Frost.

As our team comes from various places in the world, you will also find an international flavour to our exhibition which brings an added dimension to these conversations.

I worried about the constrained creativity this project entailed. I mean, come on, a writer who doesn’t choose any of her own words?! I won’t lie, it was a struggle, and not only for me as the writer but for the visual artists as well. But we discovered even when you put parameters on and constrain creativity, creativity will not be constrained. Words carry meaning individually, and words together tell stories. You take them apart, put them back together and they can tell completely new stories. These stories then take on imagery, collaboration and multiple interpretations. Soon you find you are having new conversations out of the old ones! And…

The words became art we hold in our hands.

This is the true power of collaboration.

Together, more is possible than ever would have been on our own.

Here’s a sneak peek to aid your curiosity:

And here is a sample of a reconstructed poem:

Unto One

One robin fainting in his nest.

Or one heart breaking again.

One life I live in vain.

If I shall stop,

Cool, the pain,

If I can live, can ease,

I shall help.

Not vain or not from aching

unto one.

Reconstruction by Stacey Covell – (Original: ‘If I Can Stop’ by Emily Dickenson)

Conversations|Reconstructed tells beautiful stories, both written and visually, on the power of words. The power they have to change and stay the same, to cross cultures, to exhibit great beauty, to affect all our senses.

We are eagerly awaiting April 1st when we get into the gallery for set up and open the Exhibition a few days later! There is an opening evening reception on April 4th (RSVP). The exhibition then runs until April 19th. If you are in the area please stop by! Otherwise I hope you’ll visit via here or the exhibition web page.

If you like what you see why not consider donating to help fund this project. Costs cover venue, to the production of our Art Book and promotional materials, to hopefully being able to tour the project! Check it the specifics on the indiegogo fundraising site. There are loads of fun rewards you get for contributing too! You can also share and follow the campaign and exhibition there (under the video on the indiegogo page).

Here’s the link: http://igg.me/at/conrecon/x/5548328

You can also subscribe to the Conversations|Reconstructed webpage & blog, www.conversationsreconstructed.com, to learn more about the artists, keep up to date with the exhibition, and see behind the scenes pics!

And now, here’s the promised video. Benoit did an amazing job! Hope you enjoy it!

What do you like most about what you see? Leave a comment below. I’d love to talk more!

Weekly Photo Challenge – Lost In The Details

I love The Weekly Photo Challenge theme this week. Concepts and room for interpretation of meaning are things I get excited about. We are being challenged to get low with this week’s theme. At the same time I have found myself again and again looking up. The macro and the micro of getting lost in the details have great effect from totally different vantage points. Both so powerful, so beautiful.

Lost in the Details: Macro

Lost in the Details: Macro

While each branch and leaf tell a story themselves, looked at in the whole, this scene dances with detail and delight (and alliteration) 😉

Getting low tells a whole new kind of story. The minute speaking quiet volume.

The Burren Flower - Micro

The Burren Flower – Micro

The Flowery Burren - Micro

The Flowery Burren – Micro

I like how these the focus of these two photos emphasise different elements of the same story.

In looking through my photos this week I have realised that I:

1. Like to look up. This doesn’t surprise me as I am a big picture sort of person. It’s pretty obvious all the way down to my preference for macro economics over micro if I had to pick one. (Although economics is not what I want to pick at all really!)

2. Even when I do get low in taking photographs I could still go lower. I wonder what this photo could have been like had a gotten even closer…

If I had gotten below the flowers to look up, or even gotten within them instead of looking at them, I wonder how it’s perspective would’ve changed and what we would have heard and seen differently from it.

I’m taking this as a challenge to get lower down in my photographs and see just how big things can become. I want to appreciate more of the “micro” things in life.

Did any of you find a similar challenge with The Weekly Photo Challenge? I’m so interested to hear if you did!

On a side note: if you have a chance today head over to The Improvised Life and have a look at the Irish surfing video. It’s pretty spectacular. So is The Improvised Life.

Dublin Time Lapsed Beauty

Sometimes after you’ve lived in a city for a while you can forget what makes it beautiful. You get caught up in the things that are frustrating about it. Then something happens. The wind shifts, a new song plays, and you are reminded again why it’s beautiful in its own way. You remember why you love it.

Matthieu Chardon’s video just did that for me. It’s made up of time-lapse sequences but truly it’s made up of so much more. It really captures the history and a heartbeat of Dublin.

It was striking. The stillness in the movement and the changes in the constant.

All at once. Separate. Together.

Watch it and think about it. (I promise. It’s short. And lovely.) Tell me about it. Do you know Dublin? Have you been there? If you haven’t been yet, what did you see? Or if film and media are your thing, tell me what you saw in the film. What was your one beautiful thing?

(yes, the clouds really move that fast. and yes, they are there most of the time)